race

‘This is the Fate I Choose’: How a Shakespeare-Hating Game Developer Made the Best Shakespeare Adaptation I’ve Seen All Year

Rebecca Lipperini

I argue in this essay, Elsinore’s use of branching and discoverable dialogue, multiple story paths as well as choices and consequences, construct a narrative mode that reveals the themes of racism and sexism and the ways in which systems of oppression reinforce each other in the narrative. Elsinore uses the video game medium to reorient Hamlet around the intersecting vectors of gender and race, and in doing so it offers an intersectional feminist reinterpretation of Hamlet. This essay will look at how Elsinore adapts Hamlet by focusing on the treatment of Ophelia’s sexuality, showing how narrative agency and discoverable dialogue can reinforce the intersectional commitment of the game. Continue Reading →

Lunch or Lose

Emergent Language in an Online Game Design Community

Alisha Karabinus & Rachel Atherton

Since the Mafia social deception games were created in the mid-1980s by Dmitry Davidoff and students at Moscow State University, they have been played everywhere from conventions to television shows and films to classrooms. Over the years, robust online communities across hundreds of forums dedicated to the games have grown as well. These communities have adapted the games to a play-by-post system suitable for online forums, where players conduct the game via asynchronous text posts which can also incorporate gifs, emoji, links, and other media. Continue Reading →

“You Ever Have That Feeling Where You’re Not Sure If You’re Awake or Still Dreaming?”

A Review of Woke Gaming: Digital Challenges to Oppression and Social Injustice

Samuel Poirier-Poulin

Born from the ashes of Gamergate and the 2016 US election, Woke Gaming: Digital Challenges to Oppression and Social Injustice (2018) investigates video games from the lens of social justice, discrimination, and domination. Edited by Kishonna Gray and David Leonard and published by the University of Washington Press, Woke Gaming includes the work of scholars from a wide range of disciplines—game design, sociology, and criminal justice among others. Continue Reading →

How Fantasy Games Deal with Race

As Demonstrated by The Elder Scrolls

Dennis Jansen

Video games have politics. With many developers insisting that their games are not political in any way, and with recent games desperately trying to say as little as possible about their subject matter, many critics find that there is once again a need to stress this point. The ability to be political stretches across genres and settings, though some genres and settings lend themselves to being seen as more overtly political than others. For instance, criticising racialised depictions in games set in the ‘real world’, like Rockstar’s Grand Theft Auto series, is often quite straightforward, especially given the shallowness and harsh stereotyping these depictions usually entail (Dyer-Witheford & De Peuter, 2009, p. 164-70; Gray, 2014, p. 24-26). Continue Reading →