Conceptualizing Mountain

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On July 01, 2014, Irish artist and filmmaker David OReilly released a video game called Mountain. In this game, there are two roles: “God,” who looks at (and sometimes looks out for) Mountain, and “Mountain” who talks to its God and endures whatever comes its way. Mountain, a mountain ripped up from its roots, hangs within its own atmosphere (weather included) suspended in space. It rotates slowly upon its axis. There are almost no controls. You begin the game by sketching pictures as responses to prompts (such as “Birth” or “Logic”) that purportedly generate (or “seed”) your unique mountain. The keys in the player’s ASDF and ZXCV rows play chimes that can speed up time. You can zoom in and out in order to view Mountain up close or see it as a kind of lonely asteroid against the backdrop of the galaxy. Continue Reading

Silent Hill

The Terror Engine

Review - Silent Hill The Terror Engine

When I was given a list of books to review, the note that went along with this book was this: “May not be a great choice if you’re not an SH fan, though.” And so obviously, I chose this one. Not out of spite, but out of sheer, uncontrollable interest. In the introduction, Bernard Perron makes the obligatory reference to the divide in the horror gaming world: some people are Silent Hill fans, and the others are Resident Evil fans. I fall in the RE camp, and as true to my stubborn roots, haven’t strayed from this conviction. Ever. But it’s not something that I’ve ever really given much thought to, honestly. Continue Reading