It was a huge encouragement to read Luca Morini’s wonderful article on play as the “bulwark of uselessness” on May 4th. Having a deep understanding of and appreciation for play is a crucial part of human culture and society, and as Luca notes the freedom to be playful–to enjoy things for their own sake–is often sacrificed on the altar of “usefulness”, leading not to the enhancement of human culture but to its diminishment. To echo Luca’s use of Huizinga: “The very existence of play continually confirms the supra-logical nature of the human situation…We play and know that we play, so we must be more than merely rational beings, because play is irrational.” Continue Reading
It’s no stretch to say that many videogames are viewed as an avenue for posing ethical questions to modern players. “Morality points” and “moral choices” are well-publicized features of various types of games, such as the Renegade/Paragon bar in Bioware’s Mass Effect RPGs or Dishonored’s (Arkane Studios, 2012) options to deal with major targets via murder or various sinister yet non-lethal responses. Yet as the title of Miguel Sicart’s book Beyond Choices suggests, perhaps merely focusing on presenting choices fails to reach games’ true potential for raising ethical questions in an interactive medium. His book instead urges players, developers, and academics alike to embrace not just the possibility that games can address deep ethical questions, but to explore the ways that the medium is especially well suited to do so.