A Failed and Unintelligible Analogy

The Phenomenology of Virtual Space in Kitty Horrorshow’s ANATOMY

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The virtual space of ANATOMY withdraws from players behind a barrier of static and screen glare where it becomes, in a Lacanian psychoanalytic sense, inaccessible to the process of narcissistic incorporation. In a subversive twist of convention, players are marginalized in order to hold space for the expression of digital-material agency, affecting a critical blow to the psychological processes, as digital media scholar Laurie Taylor theorizes, by which “the connection between the player and the player’s position in game space implies a type of identification.” Overtures of analog noise and VHS scan lines that scroll across the player’s first-person perspective articulate an aesthetic commitment to the affirmation of otherness. An unbridgeable distance stretches between us and ANATOMY, and into this distance tumbles that narcissistic fantasy of a video game designed to transport players inside immersive virtual worlds, where alien subjectivities are embodied firsthand and become sympathetically understood. Continue Reading

For All the Broken Vessels

Compassion in the Final Moments of Hollow Knight

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At times it can seem as if the world of videogames, just like the raucous meatspace around us, is first and foremost designed with the loudest and fiercest of stories in mind. All too often, and with relative ease, they appear to drown out the quieter moments for which this unique art form can allow; and taken at face value, the somewhat elusive genre of Metroidvanias seems by definition to fit right into this very mold. After all, its guiding principle is growth—be it in the form of deeper understanding, improved skills, or (of course) greater power. Continue Reading