Lee Hibbard is a Rhetoric and Composition PhD student at Purdue University, where his research is focused on game studies and design, archival practices, queer theory, and digital rhetorics. He uses his identity as a queer transgender man to inform… Continue Reading
Betsy Brey: Welcome to a special edition of the First Person podcast. This week, we’re introducing a queer games and queer making special issue, edited by Jess Marcotte. This special issue was funded by a SSHRC Connection Grant and we… Continue Reading
It didn’t matter if you were Human, Awoken or Exo. It didn’t matter if you were male or female. You had been resurrected as a Guardian; humanity’s last hope against the Darkness, and you would do everything in your power to succeed.
And from those first orchestral bars, I had a voice. . . or my character had a voice. And I had a. . . my character had an identity that I as the player created. I tend to get lost in my games. When I’m playing a game I’m not simply a human sitting in a chair with a PlayStation 4 controller watching the pixels of my screen illuminate and change. Continue Reading
In the introduction to Role-Playing Game Studies: A Transmedia Approach, José P. Zagal and Sebastian Deterding call games “trusty little mirrors of social life . . . miniaturized, maybe a bit abstract, but strangely compelling” (1). The latter portion of that quote serves just as well to describe their book’s relation to its topic. Noting a lack of cohesion in the study of role-playing games (RPGs), Role-Playing Game Studies strives to integrate scholarly works dispersed across a variety of disciplines and locales, and to begin the work of establishing a canon of RPG scholarship. Indeed, in a space already so nebulous and uncentered as game studies, RPGs appear mostly as curiosities – blips scattered across journals, institutions, and conferences, with little sense of who else is studying them and why. Continue Reading
Welcome back to First Person Podcasts. It’s been some time and we are grateful to those of you who are coming back to us after a little hiatus. We’re back and raring to go with a totally original, out of… Continue Reading
During its reveal at the 2014 BlizzCon, Overwatch introduced players to its vibrant and colourful world with the character Tracer announcing that “the cavalry’s here!” (“The Exhibit”). This line now functions as her signature phrase, perhaps reflecting the continuously expanding roster of characters and collection of media that make up Overwatch’s story universe. Continue Reading
While French studio Dontnod is still releasing new episodes of Life is Strange 2 and is teasing a new project, Twin Mirror, they have already developed four games in five years. To me they all bear a common theme which leads the experience: memory and how it defines identity. Let’s see how each game uses these ideas in their themes and gameplay and what it could mean for the studio. Continue Reading